It might be too harsh to recommend practicing social distancing with the new Vin Diesel movie "Bloodshot," but I wouldn't want to shake its hand, either.

It was only a matter of time before Hollywood came calling to adapt the real-life events surrounding a museum in South Carolina that celebrated the Ku Klux Klan.

"The Assistant" is essentially the first #MeToo-era feature film.

This Valentine's Day, there's certain to be the usual flood of candy and flowers. But at your local movie theater, there's something increasingly rare: A soulful and adult romantic drama in "T…

If the Hollywood mantra for making blockbusters is "faster, faster, faster," then the creators of "Sonic the Hedgehog" have wisely ignored it.

At one point in "Birds of Prey," crime lord Roman Sionis, aka Ewan McGregor, sits down with a tub of popcorn to watch Harley Quinn suffer through a brutal interrogation.

There's a scene early on in the new film "Gretel & Hansel" when the two title characters accidentally scarf down psychedelic mushrooms in a forest and it produces one very strong feeling i…

When you think of top-notch movie assassins, there's a good chance you conjure up Samuel L. Jackson or Keanu Reeves or Matt Damon. You might not immediately think of Blake Lively. But now you should.

A befuddling ending is hardly the only perplexing choice by the filmmakers of "The Turning," the latest update to the 19th-century horror novella "The Turn of the Screw" by Henry James, a man we could say is now "turning" in his grave, but we'll spare you the pun.

Guy Ritchie's honor-among-thieves meta-caper "The Gentlemen," with Matthew McConaughey, has all the tailored tweed suits and smoky atmosphere of a handsome scotch commercial. "The Gentlemen" might not be an ad, but Ritchie's film is most assuredly selling something.

The third edition of the "Bad Boys" franchise starts as it must do: With a gleaming Porsche swerving at impossible speeds through Miami traffic under the expert control of Will Smith, with Mar…

But if they could speak, no realm of the animal kingdom, no penguin, parakeet or panda, would have anything good to say about Stephen Gaghan's "Dolittle," a big-budget train wreck in which things go so awry that it can't even be said to be strictly for the dogs.

It's been a good time for World War I buffs,” especially if they're also movie buffs. A year ago director Peter Jackson applied state-of-the-art technology to century-old war footage to bring …

There's usually one film that tops lists whenever powerful legal thrillers are debated — “To Kill a Mockingbird," set in the 1930s. Now comes a film showing how little has changed since then, …

There is a wild urgency to Greta Gerwig's "Little Women" that hardly seems possible for a film based on a 150-year-old book. But such is the magic of combining Louisa May Alcott's enduring sto…

By now, we shouldn't be too surprised by this cultural contradiction known as Adam Sandler.

J.J. Abrams' "Rise of Skywalker" is a scattershot, impatiently paced, fan-servicing finale that repurposes so much of what came before that it feels as though someone searching for the hyperspace button accidentally pressed the spin cycle instead.

There's apparently enough groundbreaking technology used in "Cats" for NASA to send a rocket to unexplored parts of the universe, perhaps to a far-off planet where cats sing, dance on two legs…

The creators of the latest "Jumanji" sequel have begun from an age-old premise "if it ain't broke, don't fix it." And they've taken note of other successful franchises to adopt what must surel…

"Richard Jewell" is a typically strong late-period Clint Eastwood docudrama that balances grand American themes while captivatingly dramatizing the villainization of the Atlanta Olympics bombi…

Todd Haynes' "Dark Waters," about the prolonged (and ongoing) legal fight to uncover the environmental damage of cancer-inducing "forever chemicals" and hold their corporate makers accountable…