Piano Series founder shows off his skills

By William Furtwangler, Post and Courier Reviewer
Wednesday, March 17, 2010



The International Piano Series at the College of Charleston presented its artistic director and founder Enrique Graf in a rare and brilliant concert Tuesday night at the Sottile Theatre.

Graf, a pianist of the highest caliber, kept the capacity house spellbound with his carefully chosen and beautifully produced program.

Opening with Joseph Haydn's final piano sonata, No. 52 in E-flat Major, Graf demonstrated a clear affinity for this music, using extraordinary articulation in this gem of the classical period.

Graf chose three of the five: "Morceaux de Fantaisie," Op. 3 (1892) by Sergei Rachmaninoff, beginning with the "Prelude" in C-sharp minor, followed by the depressing "Elegie" (with its reference to the Dies Irae, a recurrent motif in Rachmaninoff's compositions), and ending with the show-off "Polichinelle." Graf dazzled with his execution.

Hector Tosar's "Danza Criolla," a short, modern piece resembling a folk dance from Argentina, gave Graf the chance to show his skill with unfamiliar and decidedly odd harmonics.

Graf tackled with a clear vision Franz Liszt's volatile, maniacal "Sonata in B minor," a tour-de-force of lyric beauty which alternated with massive, thundering chords.

Graf received a well-earned standing ovation.

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