Flamboyant vampire TV saga unleashed
HBO adapts Southern novel for 'True Blood'
CALABASAS, Calif. — As fictional lovers go, bubbly blond Sookie Stackhouse and tall, pale Bill Compton are as massively mismatched as they come. After all, Sookie (Anna Paquin) is exuberantly human and Bill (Stephen Moyer) is, well, totally undead in HBO's flamboyant new vampire saga, "True Blood."
"Bill is really genteel but that doesn't stop him from being blood-hungry," Moyer says of his menacing 173-year-old character in "True Blood," adapted for television by Alan Ball ("Six Feet Under") from the popular series of Southern vampire novels by Charlaine Harris.
"The tension between Bill and Sookie is quite palpable," Moyer says in between scenes in which the courtly vampire, who fought for the Confederacy in the Civil War, escorts his lady friend, Sookie, a telepathic roadhouse waitress, home on a dark and eerie night.
That sexually suggestive tension is key to "True Blood," premiering 9 p.m. Sunday. Set in a small Louisiana town (actually the Santa Monica Mountains northwest of Los Angeles), the edgy series chronicles a time when synthetic blood supplies enable Bill and other vampires to live openly among humans, without necessarily feeding on them.
Like Barnabas Collins (Jonathan Frid) in the classic vampire soap opera "Dark Shadows" (1966-71), Bill has returned to his ancestral home, where he woos Sookie and tries to fit into human society. Like Frid's Barnabas, Moyer's Bill is an unresolved paradox: part seductive protagonist, part menacing monster.
"He's not typically vampiric," says Moyer, who played a vampire in the Brit miniseries "Ultraviolet." No long black cape and ghoulish grin for Bill, who dresses yuppie-casual. But "there are moments when he is quite confrontational with other vampires, when other people are predatory with Sookie," Moyer says.
"True Blood" also pushes the content boundaries of premium cable, with plenty of extravagantly gushing arteries and over-the-top bedroom antics — all mixed with a good dose of Southern gothic goofiness.
Ball was looking to produce "lighter" fare after the life-and-death introspection of critically acclaimed "Six Feet Under."
"Charlaine has just created this amazing world that's funny and vibrant and scary and also a sort of social treatise, you know what I mean?" Ball says.
"The books are violent, and that's part of the appeal," he says. "It's visceral and predatory and unapologetically sexual. And it's unapologetically romantic in the sense of an old-fashioned romance novel."
The centuries-old vampire metaphor is "also about the terrors of intimacy, and about any kind of misunderstood, hated, feared minority — homosexuals, other cultures," Ball says. "When I first pitched 'True Blood' to HBO, I called it 'popcorn TV for smart people.' "
The events in the 12 episodes play out over a fast and furious two-week period, like they do in Harris' first vampire novel, "Dead Until Dark." As in the novels, Sookie's mysterious boss Sam Merlotte (Sam Trammell) is very much in evidence, keeping close to Sookie.
But Ball has greatly expanded the characters of the roadhouse's gay short-order cook, Lafayette (Nelsan Ellis), and Sookie's bumbling and sexually indefatigable brother, Jason (Ryan Kwanten).
"They've given me some really outrageous storylines," Kwanten says. "Jason just jumps into things before he thinks about them. He thinks he's Louisiana's answer to Casanova. Any reservations or inhibitions I had before starting the show have well and truly gone now in a good way," he says of his sex scenes. Then he laughs. "One of the grips jokes that he sees me naked more than he does his girlfriend."
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