Movies

Leonardo DiCaprio shines as the lead in director Baz Luhrmann’s remake of ‘The Great Gatsby’

By Roger MooreMCT | Wednesday, May 08 1:33 p.m.
Jazzy, fizzy and often quite fun, Baz Luhrmann’s “Pretty Good Gatsby” takes F. Scott Fizgerald’s...

Director Baz Luhrmann talks taking ‘The Great Gatsby’ from book to big screen

By CHARLES McGRATHNew York Times News Service | Wednesday, May 08 1:28 p.m.
‘Not to sound idiotic or pretentious, but I never start these things to be controversial,” Baz Luhrmann said...

‘Iron Man 3’ roughs up Hollywood competition

Associated Press | Monday, May 06 12:01 a.m.
LOS ANGELES — Iron Man reigns as the standard-bearer of Hollywood superheroes with a $175.3 million domestic opening...

From ‘Iron Man 3’ to ‘Star Trek,’ sequels dominate summer movie season

By Rick BentleyThe Fresno Bee | Thursday, May 02 12:01 a.m.
With so many remakes, sequels and familiar subjects hitting theaters between now and Labor Day, this year’s summer movie...

Robert Downey Jr.’s Tony Stark is a little anxious and a little winded, but still able to show his mettle in Marvel’s ‘Iron Man 3’

By Roger MooreMCT | Wednesday, May 01 2:59 p.m.
The third “Iron Man” movie, the finale to this trilogy of Marvel marvels, is the jokiest and cutest of them all.

Terrence Malick’s ‘To the Wonder’ has good intentions but paves a road of puzzlement

By A.O. SCOTTNew York Times News Service | Wednesday, May 01 2:54 p.m.
In Terrence Malick’s films, it usually is possible to discern, beneath the blossoms of metaphor and the philosophical...

Star power makes ‘The Big Wedding’ watchable, but it’s little more than that

By Mick LaSalleSan Francisco Chronicle | Thursday, April 25 9:52 a.m.
To see so much talent gathered around such a weak script, as in “The Big Wedding,” is to wonder whether movie stars...

‘Pain & Gain’ is an action comedy on steroids — literally

By Roger MooreMCT | Wednesday, April 24 1:52 p.m.
Once you’ve destroyed Pearl Harbor and let robots rampage across the Earth a few times, your whole idea of a buddy picture...

Survivors angry over on-screen depiction in ‘Pain & Gain’

By SUZETTE LABOYAssociated Press | Wednesday, April 24 1:52 p.m.
The real-life murder, torture and kidnapping case from South Florida that’s behind the movie “Pain &...

‘Mud’ is as authentically Southern as today’s cinema gets

By Roger MooreMCT | Wednesday, April 24 1:51 p.m.
The cinema’s leading purveyor of Southern Gothic, Jeff Nichols, hands Matthew McConaughey his latest tour de force turn in...

Robert Redford’s ‘The Company You Keep’ revisits a ’60s that wasn’t all peace and love

By STEPHEN HOLDENNew York Times News Service | Wednesday, April 24 1:50 p.m.
A seam of melancholy runs through “The Company You Keep,” Robert Redford’s reflective melodrama about...

‘Upstream Color’: Worms, a botanist and pigs are the makings of a love story

By MANOHLA DARGISNew York Times News Service | Wednesday, April 24 1:50 p.m.
Shane Carruth’s “Upstream Color,” a deeply sincere, elliptical movie about being and nature, men and women,...

Shane Carruth, director of ‘Upstream Colors,’ builds a movie language in layers

By DENNIS LIMNew York Times News Service | Wednesday, April 24 1:49 p.m.
‘I won’t always give satisfying answers,” filmmaker Shane Carruth said, by way of warning, in an interview...

Tom Cruise’s ‘Oblivion’ has the whiff of the overly familiar

By Roger MooreMcClatchy Newspapers | Tuesday, April 23 3:59 p.m.
Science fiction is one film genre that seems to wear its ancestors, the films that inspired it or, less charitably, that it...

Famous stunt woman Zoe Bell takes on more acting with a supporting role in ‘Oblivion’

By Roger MooreMCT | Wednesday, April 17 2:20 p.m.
Quentin Tarantino made her the most famous stunt woman alive. But Zoe Bell, now 34 and years removed from her breakout in...

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